9 different lense Prompt

<instruction> Analyze the overall composition of the input image. Identify all key subjects present (whether individuals, groups/couples, vehicles, or specific objects) and their spatial relationships/interactions. Generate a coherent 3x3 grid film contact sheet showcasing nine different shots of these subjects entirely within the same environment. You must adjust standard film shot types to fit the content (for example, if it’s a group, keep the group together; if it’s an object, the composition should include the entire object): Row 1 (Establishing Background): Extreme Long Shot (ELS): The subject appears small in an expansive environment. Long Shot (LS): The complete subject or group is visible from top to bottom (from head to toe / from wheels to roof). Medium Long Shot (American Shot/Three-Quarter): The composition is from above the knees (for people) or at a 3/4 angle (for objects). Row 2 (Core Coverage): 4. Medium Shot (MS): The composition is from above the waist (or the core of the object). Focused on interaction/action. 5. Medium Close-Up (MCU): The composition is from above the chest. Intimate composition of the main subject. 6. Close-Up (CU): Compact composition on the face or front of the object. Row 3 (Details and Angles): 7. Extreme Close-Up (ECU): Strong focus on key features (eyes, hands, signs, textures) in macro detail. 8. Low Angle Shot (Upward/ Worm's Eye): Looking up at the subject from the ground (spectacular/heroic feel). 9. High Angle Shot (Downward/Bird’s Eye): Looking down at the subject from above. Ensure strict consistency: the same characters/objects, the same clothing, and the same lighting across all 9 panels. Depth of field should realistically vary (background blur in close-up shots). </instruction> A professional 3x3 film storyboard grid containing 9 panels. The grid showcases a specific subject/scene from the input image with a comprehensive range of focal lengths. Top Row: Wide environment shot, full view, 3/4 clip (above the knees). Middle Row: Above the waist view, above the chest view, face/front close-up. Bottom Row: Macro details, low angle, high angle. All frames should have photo-realistic textures, consistent cinematic color grading, and correct composition with a specific number for the analyzed subject or object.